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Darkweb v2.0 public release is here
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What has changed in our latest release?
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All new features available for all public channel users
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Coding collaboration with over 200 users at once
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Real-time code save every 0.1 seconds
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Muro proudly welcomes Omar as the newest addition to the Muro Artists, curated by Pauline Fossel and showcased under the series D-Art Encounters, this collaboration forms part of a broader initiative by Muro in partnership with 100 Collectors and Poolside Lisbon, highlighting the dynamic world of digital art. Over the course of a year, this program will feature 7 distinctive digital art collections, host 7 expert panel discussions, and bring together the community in 7 immersive gatherings. Discover more here.
Can you introduce yourself and tell us a bit about your journey as a digital artist? What first drew you into 3D design, and how did you develop your style?
I am a 3D illustrator and art director from Pakistan, with 12 years of experience in learning, experimenting, and mastering 3D skills. My journey began as a painter, but I later transitioned to 3D art, captivated by the medium's potential when I first encountered it. I primarily use Cinema 4D as my foundation, dedicating significant time early on to understanding its algorithms and exploring how 3D software operates within its limits. For me, exploration has been key to developing a personal style. Through experimenting with different mediums, tones, and abstractions, I was able to craft something unique and distinct.
Could you identify one or two milestones that have shaped your creative journey?
The first milestone was when I recreated Picasso’s work in my own 3D style. Exploring his workflow and reinterpreting a master's work was a unique challenge. It took me two years of iterations to capture the right visual appeal and give it a fresh look. When I finally uploaded it to my Behance profile, it became a game changer. The project was covered by numerous magazines and led to interviews, which were overwhelming. I even received some criticism, but it pushed me to elevate my creative thinking and dive deeper into exploring the medium.
The second milestone was being selected for the Adobe Cannes Lions title design project. Three artists were chosen to design the Adobe Lion, but only one design was ultimately selected by the jury. While my design wasn’t chosen, the experience of working with the Adobe team was invaluable. At that time, I had just started freelancing full-time, and this opportunity transformed my approach to work. It introduced me to the norms of commercial advertising, marking the beginning of my journey working with major clients.
Where do you find inspiration and what drives your art?
I draw inspiration from a variety of sources, including the works of old masters, modern art, and design. Light plays a foundational role for me, especially in how it interacts with objects. Nature, too, is a major source of inspiration—I’m fascinated by the shapes and forms found in flowers, leaves, and other natural elements with unique structures. I enjoy experimenting with these forms to find a point where abstraction takes shape.
What drives my art is the constant desire to explore new mediums. I also make it an addiction to sketch regularly, capturing every idea in my sketchbook. This process allows me to develop my concepts further and stay creatively engaged.
Your project "MIMIC" reinterprets Picasso’s iconic works in a 3D digital medium. What was the inspiration behind choosing Picasso, and how do you see your 3D work transforming his original concepts?
Back when I used to paint, I was deeply inspired by Picasso’s Cubism. The unique shapes, forms, and brushstrokes captivated me. When I transitioned to 3D, I recreated a lot of Picasso’s work, but in a more generic way, and I wasn’t fully satisfied with the initial iterations. However, as I continued experimenting, the idea began to take shape, and I discovered how to abstract the forms in a way that worked harmoniously.
Studying Picasso’s compositions taught me a great deal about balancing elements in art—how each shape holds its own weight and how to bring them together into a cohesive and well-formed composition.
Your work bridges the gap between traditional art forms and modern technology. How do you think digital art can impact the way we view and experience classic artworks, like those of Picasso?
Digital art can transform our experience of classic artworks by providing interactive and engaging new ways to explore them. Digital tools allow us to see different interpretations and perspectives, making classic art more accessible and helping us connect with it more deeply.
What role does technology, particularly tools like Cinema 4D and Vray, play in pushing the boundaries of your artistic experiments?
In digital art, while software is essential, there are numerous tools available to meet your needs and unlock a wide range of possibilities. These programs help you explore and showcase your potential, allowing your ideas and style to come to life. Once you find the right tools, they can reflect your unique style and thoughts, enabling you to express your creativity fully.
For me, tools like Cinema4D and other technologies empower me to use them in my own unique way, allowing me to achieve the results I envision. As I delve deeper into the creation process, I find the challenge of making things more complex both exciting and motivating, though sometimes simplicity can be equally compelling.
How do you see the future of digital art evolving, particularly in the realm of 3D and CG design? What excites you most about the direction digital art is taking?
What excites me most is the endless potential for new ideas and experimentation. The blend of advanced technology with creative exploration is creating opportunities to reimagine art in ways we’ve never seen before.
Lastly, what advice would you give to emerging artists looking to experiment with abstract digital art?
What I did—and what I believe would benefit every young artist—is to embrace experimentation, exploration, and working tirelessly without limitations. This approach is essential for discovering your own style and truly loving what you create.
Identify the type of work you aspire to create and strive to achieve those results. Once you’ve mastered it, move on and use the same foundation to experiment with different elements and abstraction, allowing you to make it truly your own.
Muro proudly welcomes Omar as the newest addition to the Muro Artists, curated by Pauline Fossel and showcased under the series D-Art Encounters, this collaboration forms part of a broader initiative by Muro in partnership with 100 Collectors and Poolside Lisbon, highlighting the dynamic world of digital art. Over the course of a year, this program will feature 7 distinctive digital art collections, host 7 expert panel discussions, and bring together the community in 7 immersive gatherings. Discover more here.
Can you introduce yourself and tell us a bit about your journey as a digital artist? What first drew you into 3D design, and how did you develop your style?
I am a 3D illustrator and art director from Pakistan, with 12 years of experience in learning, experimenting, and mastering 3D skills. My journey began as a painter, but I later transitioned to 3D art, captivated by the medium's potential when I first encountered it. I primarily use Cinema 4D as my foundation, dedicating significant time early on to understanding its algorithms and exploring how 3D software operates within its limits. For me, exploration has been key to developing a personal style. Through experimenting with different mediums, tones, and abstractions, I was able to craft something unique and distinct.
Could you identify one or two milestones that have shaped your creative journey?
The first milestone was when I recreated Picasso’s work in my own 3D style. Exploring his workflow and reinterpreting a master's work was a unique challenge. It took me two years of iterations to capture the right visual appeal and give it a fresh look. When I finally uploaded it to my Behance profile, it became a game changer. The project was covered by numerous magazines and led to interviews, which were overwhelming. I even received some criticism, but it pushed me to elevate my creative thinking and dive deeper into exploring the medium.
The second milestone was being selected for the Adobe Cannes Lions title design project. Three artists were chosen to design the Adobe Lion, but only one design was ultimately selected by the jury. While my design wasn’t chosen, the experience of working with the Adobe team was invaluable. At that time, I had just started freelancing full-time, and this opportunity transformed my approach to work. It introduced me to the norms of commercial advertising, marking the beginning of my journey working with major clients.
Where do you find inspiration and what drives your art?
I draw inspiration from a variety of sources, including the works of old masters, modern art, and design. Light plays a foundational role for me, especially in how it interacts with objects. Nature, too, is a major source of inspiration—I’m fascinated by the shapes and forms found in flowers, leaves, and other natural elements with unique structures. I enjoy experimenting with these forms to find a point where abstraction takes shape.
What drives my art is the constant desire to explore new mediums. I also make it an addiction to sketch regularly, capturing every idea in my sketchbook. This process allows me to develop my concepts further and stay creatively engaged.
Your project "MIMIC" reinterprets Picasso’s iconic works in a 3D digital medium. What was the inspiration behind choosing Picasso, and how do you see your 3D work transforming his original concepts?
Back when I used to paint, I was deeply inspired by Picasso’s Cubism. The unique shapes, forms, and brushstrokes captivated me. When I transitioned to 3D, I recreated a lot of Picasso’s work, but in a more generic way, and I wasn’t fully satisfied with the initial iterations. However, as I continued experimenting, the idea began to take shape, and I discovered how to abstract the forms in a way that worked harmoniously.
Studying Picasso’s compositions taught me a great deal about balancing elements in art—how each shape holds its own weight and how to bring them together into a cohesive and well-formed composition.
Your work bridges the gap between traditional art forms and modern technology. How do you think digital art can impact the way we view and experience classic artworks, like those of Picasso?
Digital art can transform our experience of classic artworks by providing interactive and engaging new ways to explore them. Digital tools allow us to see different interpretations and perspectives, making classic art more accessible and helping us connect with it more deeply.
What role does technology, particularly tools like Cinema 4D and Vray, play in pushing the boundaries of your artistic experiments?
In digital art, while software is essential, there are numerous tools available to meet your needs and unlock a wide range of possibilities. These programs help you explore and showcase your potential, allowing your ideas and style to come to life. Once you find the right tools, they can reflect your unique style and thoughts, enabling you to express your creativity fully.
For me, tools like Cinema4D and other technologies empower me to use them in my own unique way, allowing me to achieve the results I envision. As I delve deeper into the creation process, I find the challenge of making things more complex both exciting and motivating, though sometimes simplicity can be equally compelling.
How do you see the future of digital art evolving, particularly in the realm of 3D and CG design? What excites you most about the direction digital art is taking?
What excites me most is the endless potential for new ideas and experimentation. The blend of advanced technology with creative exploration is creating opportunities to reimagine art in ways we’ve never seen before.
Lastly, what advice would you give to emerging artists looking to experiment with abstract digital art?
What I did—and what I believe would benefit every young artist—is to embrace experimentation, exploration, and working tirelessly without limitations. This approach is essential for discovering your own style and truly loving what you create.
Identify the type of work you aspire to create and strive to achieve those results. Once you’ve mastered it, move on and use the same foundation to experiment with different elements and abstraction, allowing you to make it truly your own.
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